-
Author(s)
-
Shafeeq, Ahmed
-
Title
-
Maldivian Craftmanship: Tortoise Shell Craft
-
Alternative Title
-
Dhivehi Masakkaiytherikan: Kahabu Fathuge Masakkai (ދިވެހި މަސައްކަތްތެރިކަން : ކަހަބު ފަތުގެ މަސައްކަތް)
-
Publication Type
-
Journal Article
-
Language
-
div
-
Number of Pages
-
5
-
Location
-
Maldives
-
Keywords
-
Crafts
-
Tortoise shell
-
Maldives
-
Workmanship
-
Culture
-
Relevance to ICH Safeguarding
-
transmission
-
documentation
-
promotion
-
revitalization
-
capacity building
-
ICH Genre
-
oral tradition
-
performing arts: music
-
others
-
Description
-
Tortoise shell crafting or Kahanbufathuge’ Masakkaiy in the Maldives involved a meticulous and skilled process that showcased the artisans’ craftsmanship and creativity. The art was introduced to the Maldives in an exhibition held in 1945. Therefore, the craft was quite a recent addition to the lengthy index of crafts that were practiced in the Maldives. Artisans would obtain tortoise shells primarily from the hawksbill turtle, which was historically found in the waters around the Maldives. These turtles were valued for their beautiful shells, characterized by intricate patterns and a rich coloration.
The artisans categorized these colors and patterns into four:
1. Kalhu Faiyy (black scutes)
2. Raiyy Faiyy (reddish scutes)
3. Dhon Faiyy (light colored scutes)
4. Maajehi Faiyy (marbled scutes)
Once the shells are sourced, they undergo a careful cleaning process to remove any remaining flesh and impurities. This step was crucial, as it ensured that the shell was suitable for crafting. After cleaning, local artisans adapted a method of softening the shells by boiling and soaking them before shaping them. Artisans then used a variety of tools, including knives and chisels, to shape the shells into desired forms. This could involve cutting the shell into flat pieces for inlays or shaping it into three-dimensional objects and using adhesives, welding or melding techniques to hold the desired form. Once shaped, artisans would carve or stamp intricate designs and patterns into or onto the shell. This involved both decorative engraving and functional carving, such as creating combs, jewelry, and decorative items. The designs often reflected local motifs, cultural symbols, or nature-inspired patterns, showcasing the artisans' creativity and cultural heritage. After carving, the pieces were sanded using fine sandpaper. Traditionally artisans used whetstone dust and oil to give the shell a polished finish. However, later on, the artisans shifted to use brasso (a surface preservative), to enhance their shine and luster.
As global awareness of conservation issues grew, particularly concerning endangered species like the hawksbill turtle, the practice faced increasing scrutiny and legal restrictions. This shift led many artisans to explore alternative materials, such as resin or ethically sourced materials, while attempting to maintain the artistic techniques that defined their craft.
-
Book/Journal Title
-
Proclamation(Faithoora ފަތްތޫރަ)
-
Publisher
-
Dhivehi Bahaai Thaareekhah Khidhumai kuraa Qaumee Marukazu
-
Place of Publication
-
Male', Maldives
-
Date of Publication
-
Oct 1981
-
Issue
-
31
-
Pages
-
22-28
-
Academic Field
-
Arts and crafts
-
Cultural studies
-
Community/Ethnic Group
-
Maldivian craftsmen
-
Active Contribution
-
Maldives, FY 2024